Hey everyone and welcome to the 50th episode of Brain Food, and in today’s episode, I review the cute and lovely graphic novel about lesbians, latex, and larceny, Gamer Girl & Vixen!

If you missed out on the kickstarter, keep an eye out as they’re doing another to finish issues 3 and 4, as well as put together a TPB.

You can also go to their website and buy either digital or print copies:

Gamer Girl & Vixen

Brain Food – Episode 50

No, Not Every Story Is Owed Your Attention Or Time

I’ve had some thoughts, let me share them with you.

So, awhile back, Episode 5 of Life Is Strange, an indie-developed game, was released, and I finally finished episode 4. I learned from my time playing The Walking Dead that sometimes it’s good to have another episode to play queued up so that I’m not left on a cliffhanger, and a good thing too, because the ending of Episode 4 hit me like a punch in the gut.

So, I started playing, took a break, and of course, there were spoilers on some of the blogs I follow on tumblr. Spoilers don’t bother me because they’re just words, and they can’t take away from the enjoyment or full experience of watching a movie or playing a game.

So when I read the spoilers, to say I was not happy was an understatement. In fact, I quit the game and deleted it off my hard drive. I’m not here for the baiting of gay people, and the dead lesbian trope is one that needs to die itself, especially when used in the context that Life Is Strange used it.

Now, some people had some objections and incredulous statements to say to this, basically implying that I’m being selfish for not giving the story a chance because of spoilers I’d read.

It wasn’t just spoilers I’d read, but videos I’d seen as well. I knew that whatever I encountered after the first half hour of the game, let alone everything else that happened in the previous 4 episodes, would be dashed aside by either of those two endings.

But what made me think about those comments was the idea that stories are owed a reading before judgment is passed, and while that might seem fair on the surface, I couldn’t help but detect the hint of power and privilege behind it.

That is, straight white power and privilege.

See, despite the gains made in representation in various mediums of entertainment, be it comic books, video games, TV shows and movies, we still live in a world where straight, white, male, and cis is the default, sometimes to the detriment of small details like, ohh… history.

And there’s no current greater examples than the recent white washing of Egypt in not one, but TWO movies, the Gods of Egypt, and Exodus.

So to say that stories are owed a viewing or reading completely in order to judge it truly rings false to me, seeing as how so much of our media is based in straight whiteness.

It’s a presumption that because much of what is made for straight, white, cis males is for everyone, and it’s something I’ve seen in various fandoms that this extends to straight, white cis women as well.

I once had a friend who had three clear rules he followed for what stories he watched or read, and they were:

  1. It, in some way, supports our goddess on Earth Gina Torres, by either starring her or someone close to her.

  1. It has someone who is gay or black, or a combination there of, that was not treated poorly in the story.

  2. It came highly recommended from one of his close friends.

If it didn’t meet those first three rules, he wasn’t interested, and frankly, I couldn’t blame him.

Someone I follow on tumblr has as her first questions for anything she reads or watches or plays is does it have transgender, bisexual, or lesbian women in it. If not, she’s going to give it a pass.

Now, while the first instinct is to say it’s going to narrow what they read or watch, it’s true, but also very understandable. After all, why is it presumed that anyone who isn’t straight, white, cisgender and male going to like a story in which they do not see themselves?

Heck, why is it even asked of them to like it in the first place?

That’s not to say they won’t, but the presumption is often a derailment for people who aren’t interested in stories where they can’t see someone they can personally relate to having a grand adventure, solving a mystery case, or finding the love of their life.

One very recent and notable example of this was the horribly whitewashed dramatic retelling of the Stonewall Riots in Roland Emerich’s Stonewall. It featured a white, gay, cis male lead while relegating several people of colour to the background, even going so far as to mishmash two of them into one central, fictitious character.

Basically, it all but erased Marshal P Johnson, a black transgender radical woman, and Sylveria Rivera from the actual Stonewall riot, replacing the shotglass thrown that was heart around the world with a brick thrown by a fictional gay white guy from a midwest Farm.

People rightly called it out for its whitewashing, pointing out how most LGBTQ movements have done much to erase gay people pf colour and transgender people, but the director and actors said not to judge the film based on the trailer, and to wait until the film was seen.

Well, no one took his advice, and Roland Emerich, white, gay and cisgender himself, lost out, with Stonewall garnering barely 130K in its release.

And nor should people who are minorities, be it through the colour of their skin, gender, or sexual orientation be under any obligation to see a movie where they’re played with like a fan writing fanfiction.

Heck, one can look at the recent release of the Zoolander 2 trailer, and spot several transphobic jokes.

Trigger warnings for the garbage jokes.

It’s mainly based around Binklefink Twiddlebottom’s performance as the newest, hottest model named All in All, who refuses to give their gender, and the film’s two main leads expressing confusion and frustration and not knowing what’s in All in All’s pants.

Can you blame anyone then who is actually transgender to not see this movie? Or just anyone who doesn’t like transphobia?

It probably doesn’t help that, even though Zoolander lampoons the world of fashion, they made Beneditch Pumpernickel look like a god damned alien.

And that’s just movies. What about games? I started off in video games when it the common plot was beat the bad guy, and save the princess, as exemplified by Super Mario Brothers and Legend of Zelda. Metroid’s ending of Samus being a woman was a surprise, and not exactly quickly spread common knowledge in the days before the Internet.

So what about today? Unfortunately, it’s still a lot of the same. Even games as diverse as Bioware’s latest big hits, Mass Effect and Dragon Age, still were marketed with straight white men on the cover for most of them. We only got a female Shepard after after a rather deplorable beauty contest held on Facebook and elsewhere, and it wasn’t until the third installment that we finally got Shepard some male love interests.

fem_shep_01

And these two articles give a good overview of the Beauty Paegent Bioware held for the default female Shepard.

Why The Mass Effect 3 FemShep Vote Was The Wrong Move

Fans Picked the Blonde in a Controversial Video Game Beauty Contest, But That’s Not a Bad Thing

Then there are all the first person shooters out there marketed towards straight, white cisgender dudes.

Yeah, nice package indeed.

So is it any wonder that some people might feel that some games aren’t for them? Or that there’s nothing in said games for them to be interested in or see themselves in?

Again, it’s not to say that there aren’t a diverse group of men and women from different backgrounds who enjoy these games, but that the marketing of these games, and movies and TV shows, are still fixed up in a straight, white, cisgender able bodied package as the default setting to sell to customers.

And that not all customers fit that package.

So in case you haven’t noticed. I’m not saying anything more than what a myriad of other people have noticed and discussed before, and I haven’t even scratched the surface of superhero comics, or sci-fi and fantasy stories. But it’s something worth discussing and talking about to this day, and every day until we no longer see this kind of expectation.

And if there’s anything to take away from this video, it’s that no one is under any obligation to like a story in which they do not see themselves or aren’t represented in a positive, deep, and meaningful way.

I’m Triple J, and that’s all I’ve got left to say. Take care!

Brain Food – Episode 49

Hello everyone, and welcome to another episode of Brain Food!

Instead of reviewing a single book I’ve read, I’m going over several books in my queue that I’ve yet to read. It’s one of the frustrations of loving to read, I just buy so many books I can’t get to them all!

That and I’m also currently playing Fallout 4. THAT will kill a lot of time.

Also, if anyone is interested, here’s the article about the proposal Dean Trippe had for his Lois Lane Girl Reporter series on The Mary Sue. It’s a great look at what could have been.

And this is his art blog for alternate superhero costumes, Project Rooftop. Very cool looking!

As for the fanfic authours I’ve recommended, here are some links for you to click and check out.

thehakuun

scifigirl47

Brain Food – Episode 48

Hey everyone, it’s another episode of Brain Food, and this time I review Chameleon Moon, by Roanna Sylver, about a diverse group of superheroes struggling for survival in a walled off city burning down from the ground up.

Please buy the book here and support this awesome new authour!

And the ending music is City in the Sky, by Evening Star. Check out his work here and support this wonderful song writer.

You can also check out his music here on his youtube page!