Battle Angel Alita – The CORRECT Female Lead Action Film

Hello everyone, lets take a step into the way back machine, and travel back to earlier this year, when two films came out. Both had female leads that were chock full of action and CGI, based on comics, and had the political allegory of fighting back against oppressive systems.

Except only one was an acceptable female lead, and the other wasn’t.

That’s right, I’m talking about the rivalry between Battle Angel Alita and Captain Marvel.

Continue reading “Battle Angel Alita – The CORRECT Female Lead Action Film”

“You’re a bad friend.”

Season 4 of She-Ra and the Princesses of Power debuted this week and I binged it, not only enjoying but feeling my mind absolutely blown away by the powerful emotional arcs and the build up to the finale as mysteries were finally resolved in ways I had not anticipated. It’s a wonderfully crafted piece of writing that has built up over the previous three seasons with its treatment of its characters and the world.

It’s also an example of media that does not absolve the characters of their actions or words, and leans heavily into the more complicated issues of friendship in very intense, emotional ways.

However, before we continue, I will tell you all that beyond this, there be spoilers. MAJOUR spoilers.

Spoilers Sweetie...

Continue reading ““You’re a bad friend.””

“SJWS! Oh god, there’s SJWs everywhere!”

I want to start off this article with a tweet from someone I follow regarding gamers and their reaction about Obsidian’s new release, Outer Worlds.

And Casey pretty much nails it in that tweet, in that these gamers are looking for such a purity in their gaming that anything, ANYTHING, can be considered SJW.

It’s lead me to thinking about the past and other examples we’ve seen in our society with regards to a moral outcry and fear over the encroachment of elements seen as detrimental to our way of life. The most obvious examples are as Casey pointed out, the Christians that look for any sign they can interpret as teaching kids to embrace Satanism, but I’m also thinking of the great Red Scare of the 50s in America.

This was called McCarthyism and it lead to the creation of the House of Unamerican Activities Committee which would put people on trial to determine what their intentions truly were if any hint of communist-like activity was in their history.

What I find is the common link between the nigh-totalitarian response of the 1950s government against communism (which included a bill from Joe McCarthy that curbed civil liberties) and gamers who cry out against SJWs infesting their precious hobby is the fear over the loss of control.

And how that fear has manifested itself in hate groups forming and harassment campaigns waged against any and all targets they see as trying to take away their games.

It’s sad, in a way, to see because nothing will ever be good enough for such gamers ever again, outside of them personally seeing to the development of first person shooters, the only game that they appear to play. If there’s a hint of any woman with hair coloured in any other way that’s not natural to their body, any person with skin darker than a white person may achieve in the sun of summer, or the softest whisper of politics in the games’ story, they’ll scream and rage and boycott and harass those who do enjoy the games.

And it’s an attitude held by many such entitled fanboys (and some fangirls*) over a wide swath of fandoms, Look at the rage from Star Wars fanboys over the narrative being more focused on people of colour and a white woman, the creation of the Sad and Angry Puppies who tried to sabotage the Hugo Awards one year, and… well, at this point it’s only easy to google any news of them complaining, mashing their teeth, and believing any number of wild theories over Captain Marvel’s box office success.

My favourite from that last one, as it’s ludicrously absurd, is how Disney bought up ticket sales in order to boost sales figures, and it’s one that continues to find traction among the misogynistic/sexist hate mongers. After all, they’ve got to keep those patreon contributions coming!

Of course, I have concerns because to be a white woman, a person of colour, LGBTQ and in fandom is to be under attack for taking up space in a place that’s been deemed as belonging only to straight, white, cis dudes, and any news of any kind of diversity is almost always followed up by attacks. Remember the ‘fallout’ of Ghostbusters for daring to have a cast of all women?

On the other hand, it’s a sad, sad way to live, to constantly be fighting for and chasing a dream of a time of when there weren’t any politics in games. It’s as big a lie as the one any MAGA hat wearing bigot believes because, like the lie of there being a time that America was great, there being no politics in games is one that’s cemented in white entitlement.

Just because you don’t see it, doesn’t mean it’s not there. Or, to take a rallying cry from second wave feminism and the student protests of the 60s, the personal is political.

Politics, and I don’t just mean what party we vote for, informs our way of life, how we think and feel, and the content of the entertainment we enjoy. To suggest otherwise is to live within that insulating bubble of white male privilege, an echo chamber that gamers often accuse those who are critical of entertainment of living within.

And I’d rather not go through life with such paint encrusted glasses on.

*Honestly, just look at how enraged white fangirls become when a character who was white is cast with a black female actress and is in love with a white dude, or any relationship between a white man and black woman on screen. Black female fans of Nu Who, Nu Trek, the Flash, Sleepy Hollow have talked about the scorn they’ve faced and the hate and anger heaped upon the characters for DARING to be loved by a white man. That’s white entitlement as well.

Why Yes, Your Art Can Have More Than One Meaning

 

So, about that Joker movie, eh?

Oh, I should say, about the director of the Joker movie, Todd Phillips who has recently been expressing distress, even anger, and not a little bit of snobbishness, that people would dare, DARE criticize his movie.

There was also this blatant misdirection Todd attempted, most likely while his publicist screamed at him from afar to just shut the hell up.

Just a reminder to Mr Phillips, Keanu Reeves isn’t white, he’s biracial, his first name means Ocean Breeze Over A Mountain, so please stop erasing his Asian heritage, as he was born in Lebanon.

That being said, I find the actions of this director vehemently opposing any idea that his film could be held up as the endorsement of white male violence upon the world as astoundingly childish and also a sign of white privilege in and of itself. Movies, aside from being a medium of entertainment, are an art form, much like books, video games, and graphic novels.

And as a form of art, there can be more than just the creator’s intended message that people can take away from it. The history of cinema has shown this time and time again.

For example, Alien is not just a scary, claustrophobic movie about a dangerous creature hunting a bunch of truckers in space, it’s also a commentary on capitalism that seeks to gain profit even at the danger of destroying humanity. Aliens continues along this thread but was also seen as a metaphor for the Vietnam war, where a technologically superior invading force is wiped out by the native life there.

The original Blob movie? A metaphor for the encroaching communist spread across the world during the McCarthy Era as well as a movie about a faceless ooze that devours people.

And those are just but a few examples, and different takes can be taken from art according to one’s own life experiences.

Take me, for example: I’m a cis, white, abled bodied male, so the views and critiques I could take away from a movie would be vastly different than someone who is black, trans, and female.

This is why there’s been discussions of cop shows as copoganda, from CSI and Law & Order to Brooklyn-99. I’ve read critques from a feminist POV about the lack of leading women with their own movies in the Marvel Cinematic Universe, and ones that question that further, looking at the diversity of women and the lack of women of colour in the MCU on a whole.

(And before anyone comes in and says it, no, Gamora and Nebula do not count. Green and Blue people aren’t real, even if one of them is played by Zoe Soldana.)

And of course, there’s discussion of the diversity of people behind the scenes, such as was April Reign’s coining of the hashtag #OscarsSoWhite when looking at the line up of winners at the Academy Awards back in 2015.

I say all of this to add further context to the importance that we critique the media we watch, especially in this darkest timeline in which we live where there’s a domestic terrorist attack in the US just about every other week. The premise of the Joker movie, about a nice guy who has a bad day and simply snaps, is disturbing to say the least, because of the real world parallels we see weekly, if not daily, in the news.

Parallels such as the self-proclaimed Incel who drove his van into a crowd in Toronto, killing 10 people, who was in turn inspired by another ‘Nice Guy’ who had a bad day, Elliot Rodgers. Incel culture in and of itself reeks of white male privilege and the rage over being unable to lay claim to women and the coveted prize of sex. If you’ve the stomach for it, I’d recommend the website We Hunted The Mammoth and click through the Incel tag for more on the disturbing behaviour of these men.

Those of us who are critical of the message of the Joker movie, which points very strongly to the Nice Guy Who Has A Bad Day take, worry about how many men will take heart to this, and then enact on it.

As the US Military did recently with this warning to their troops who might be seeing the movie.

And if you don’t think people don’t act on racist, sexist, messages in our media, look no further than the screening of “Birth of the Nation”, a movie made BY the KKK to inspire more recruitment into the KKK, at the White House itself. The KKK received a boom in size after that, which continued on until another piece of media, the Superman Radio Drama, tore apart its veil of secrecy and metaphorically pantsed the organization.

And these are just the examples I can think off the top of my head while casually writing this. Others have put significantly more time and effort into looking at the messages in our media and across more than just movies that enforce terrible racist stereotypes as well as outmoded and harmful standards of beauty.

Don’t even get me started on the genre of films I consider to be Transgender Pain Porn.

All being said, for Todd Phillips to plug his fingers into his ears and yell “Lah lah lah, I can’t hear you, you’re all wrong!” speaks to his ability to accept any kind of criticism, which is as flimsy as wet tissue paper. It also says volumes about his lack of understanding of the messages art can have.

Quite frankly, I’ve never heard of the man up until now, and I honestly have no intentions of watching or supporting any of his work. If I wanted to watch a tone deaf, whiny, self-entitled dude who can’t stand that no one wants to appreciate his genius and understanding, I’d dive head first into the Rick and Morty fandom.

The Superhero Issue That Taught Me Compassion

So, it started off with a tweet I saw from Tess Fowler, an amazing artist whose work I’ve enjoyed, asking a simple question about the comics medium:

And I replied with the following, speaking purely from the heart:

Marvel_Two-In-One_Vol_1_86

Ben and Flint enjoying a brew instead of throwing fists.

This issue in particular has always stayed with me, even if I forgot some of the details when I first got it. Unlike a lot of my friends who are fellow comic lovers, I never had much of a mind for detail in who drew and wrote what and when, so some research was in order.

Written by Tom Defalco and drawn by Ron Wilson, Issue # 86 of Marvel Two In One was a comic I had picked up as part of a four issue reprint Marvel had done in the 90s, even though the original had first been printed in April of 1982, during the reign of Jim Shooter as Editor in Chief. Back in the 90s, and this is only my hypothesis for I’ve not found any proof about it, Marvel was reprinting a lot of classic Marvel titles, from the origin stories that brought us Spider-Man, Iron Man, the Fantastic Four and others, to wholesale series such as Classic X-Men and Classic Spider-Man, possibly because Marvel was getting close to going bankrupt.

At any rate, I picked up the The Thing mini-series because I liked Ben Grimm and how un-superheroic he looked. Maybe it was something I was picking up on, being a fat kid in high school who didn’t look like any of the six pack, beefed up, superheroes I admired but unable to articulate why.  I was more drawn to the characters who were, for lack of a better word, ugly.

Like Ben Grimm, rendered into a rock like golem by cosmic rays, or Bruce Banner, transformed into the Hulk from absorbing gamma radiation.

I could understand Ben Grimm’s frustration at being mocked for his appearance, as I’d been mocked, bullied, and picked on for being fat. He was someone I wanted to see happy and loved and cherished, because it meant I could be too.

And it was Ben Grimm who taught me kindness and compassion, although it took me a few more years after high school, and a couple courses in Feminism, to better and more thoroughly apply such a profound lesson.

The basic plot is that Ben Grimm is angry and frustrated, and, upon hearing of The Sandman being at large once more,  finds him at a bar, and challenges him to a fight!

And Sand Man surrenders.

This shocks Ben, so much that he buys a round of drinks and simply… listens to Sandman, who tells him his name is Flint Marko, talk about his life and the choices he made and the mistakes befallen him that lead him up to that moment.

Just having a superhero comic where the team up is of two men talking about their problems instead of fighting or joking or brushing it aside really opened up my eyes not just to how much more a superhero comic could be, but in how men could do things differently. It was, in a way, one of the first instances of positive masculinity that didn’t deal in the language of violence.

That’s always stuck with me over the years, that sometimes if we just listen to people who might appear to be bad, we find decent human beings who make mistakes and, finding themselves in a deep hole, are unable to climb out without a helping hand.

And I’m not talking about truly ugly-hearted people whose minds are coloured with bigotry, ignorance, and racism, as the Friends of Humanity and the Red Skull’s are, but people who simply struggle to survive.

The issue ends with Ben giving Flint twenty bucks and wishing him well, hoping that he stays on the straight and narrow, and thus began the start of Flint’s heroic journey, all because someone decided to listen.

Superhero comics have taught me a lot over the years, such as with great power comes great responsibility, how bigotry and racism should have no place in our society, as well as how far a little kindness and compassion can go. I like to think it’s part of what’s shaped me into (I hope) a good person.

Doing More Than The Bare Minimum

So, it’s finally come to pass that DC Comics have fired Eddie Berganza, the serial sexual harasser that has worked at DC Comics for over a decade.

No, he hasn’t been moved from one position to another, nor was he kept out of the public light, but he has been fired.

F-I-R-E-D.

And frankly, it’s about time.

Bridget Alverson of Smash Pages recently released an article talking about the history of Berganza and what he had done, as well as the concerns of women who worked under him and alongside him, and the sheer lack of any concrete effort by DC Comics to do anything more than protect themselves from a future, potential lawsuit.

It’s a good read, and one I recommend as it helps to collect the stories of various women who worked at DC Comics and their accounts.

The termination of Berganza’s employment at DC Comics, after allegations from three women, comes at an important time as the fallout from allegations brought against Harvey Weinstein and Kevin Spacey continue to grow. As comics continue to work hard to improve sales and public relations, keeping on a known sexual harasser who kissed women against their will and promised them writing gigs if they only returned sexual favours is not a good look.

In our capitalist society, we’re all trying to buy according to our conscious, a hard thing to do considering the treatment of people who make our products, such as the laptop I’m writing this on.

So it was ultimately in DC’s best interest to fire Berganza, the guy who once pleaded with women to stay on the failing Supergirl comic series.

“Women. Who needs them? Well, actually, I do.”

Those words carry a considerable undertaste of bile and poison now, not that they weren’t any good back then.

See, it wasn’t just Eddie Berganza who made working at DC Comics a bad place to be for women who wanted to follow their passions as a writer or artist, but the higher ups in charge, the ones who listened to the women give their concerns, their accounts, and promptly did nothing.

I’ve heard some names brandied about as to who helped to cover them up, and if DC’s statement of a desire to make a harassment free environment is to be taken seriously, then those who knew and did nothing and continue to work at DC Comics should tender their resignation immediately.

Because the kind of environment DC Comics made, where sexual harassers are protected and shielded is not unique to them, and it’s one in which women face at many other different companies.

Harvey Weinstein has been the biggest name recently to come out about the kind of toxic environment he indulged in and which the companies he founded and then worked for, Miramax and The Weinstein Company,  indulged him. Like Eddie Berganza, nothing concrete was ever done about him and his harassment of actresses for sexual favours was the worst kept secret in Hollywood.

Actresses such as Lupita Nyong’o, Brit Marlon and others have come forward to tell their stories of how he attempted to exploit them, usully with threats to their career.

People.com has since collected a list of people with allegations against Harvey, and it’s sad and frustrating to read about how many women this man lorded his power over.

Another example of a man in a position of power and exerting it over women in exchange for sexual favours came across my twitter feed today from associate editor at Gamespot, Kellie Plagge, as part of the #metoo hashtag making its rounds on social media.

Sadly, there are common themes through these stories, and plenty of others, such as the disbelief that so and so would ever do such a thing, gaslighting women, threatening their careers, and blaming them for the actions of the men by either dressing or looking provacatively.

And quite frankly, it has to stop.

The people that permit an environment which allows a sexual harasser, a predator, to flourish and thrive also need to be held accountable for their actions. It takes more than the firing of the predator himself, but those who either brushed off the concerns of the women who were preyed upon, or took steps to protect the company on a whole from lawsuits and public relation damage.

Yes, it is good that Eddie Berganza was fired, and with any due luck the man will never be hired by another comics company and put in a position of authority over women, but his actions were tolerated by those at the top for years.

Silence encourages the tormentor, never the tormented. It’s a quote from Elie Wieseal in his acceptance speech for the Nobel Peace Prize in Oslo Norway, in 1986, and it’s as true now as it was then.

Because as much as DC Comics might be doing the right thing in some regards, they did absolutely nothing, and those who turned a blind eye should be fired. It’s especially tiresome and frustrating as Brett Ratner has been signed on to be a producer for the next Wonder Woman movie.

Brett Ratner, much like Harvey Weinstein, Woody Allen, and others, abused his position of power over women and even outed Ellen Page on the set of the third X-Men movie, as she discussed in a powerful post on her Facebook page.

For DC Comics and Warner Bros to have this man on board still while firing Eddie Berganza reeks of hypocrisy and a real lack of care for the women on that set. It’s my hope that Gal Godot’s threat of not coming back for the second Wonder Woman movie unless Brett Ratner is removed will get the higher ups at Warner Bros to remove him, instead of rewarding him.

And that those who believed it would be a great idea to have a man who gladly included the pedophile rapist Roman Polanski in his movie, followed by a rape joke, Rush Hour 3, are subsequently terminated as well.