No, Not Every Story Is Owed Your Attention Or Time

I’ve had some thoughts, let me share them with you.

So, awhile back, Episode 5 of Life Is Strange, an indie-developed game, was released, and I finally finished episode 4. I learned from my time playing The Walking Dead that sometimes it’s good to have another episode to play queued up so that I’m not left on a cliffhanger, and a good thing too, because the ending of Episode 4 hit me like a punch in the gut.

So, I started playing, took a break, and of course, there were spoilers on some of the blogs I follow on tumblr. Spoilers don’t bother me because they’re just words, and they can’t take away from the enjoyment or full experience of watching a movie or playing a game.

So when I read the spoilers, to say I was not happy was an understatement. In fact, I quit the game and deleted it off my hard drive. I’m not here for the baiting of gay people, and the dead lesbian trope is one that needs to die itself, especially when used in the context that Life Is Strange used it.

Now, some people had some objections and incredulous statements to say to this, basically implying that I’m being selfish for not giving the story a chance because of spoilers I’d read.

It wasn’t just spoilers I’d read, but videos I’d seen as well. I knew that whatever I encountered after the first half hour of the game, let alone everything else that happened in the previous 4 episodes, would be dashed aside by either of those two endings.

But what made me think about those comments was the idea that stories are owed a reading before judgment is passed, and while that might seem fair on the surface, I couldn’t help but detect the hint of power and privilege behind it.

That is, straight white power and privilege.

See, despite the gains made in representation in various mediums of entertainment, be it comic books, video games, TV shows and movies, we still live in a world where straight, white, male, and cis is the default, sometimes to the detriment of small details like, ohh… history.

And there’s no current greater examples than the recent white washing of Egypt in not one, but TWO movies, the Gods of Egypt, and Exodus.

So to say that stories are owed a viewing or reading completely in order to judge it truly rings false to me, seeing as how so much of our media is based in straight whiteness.

It’s a presumption that because much of what is made for straight, white, cis males is for everyone, and it’s something I’ve seen in various fandoms that this extends to straight, white cis women as well.

I once had a friend who had three clear rules he followed for what stories he watched or read, and they were:

  1. It, in some way, supports our goddess on Earth Gina Torres, by either starring her or someone close to her.

  1. It has someone who is gay or black, or a combination there of, that was not treated poorly in the story.

  2. It came highly recommended from one of his close friends.

If it didn’t meet those first three rules, he wasn’t interested, and frankly, I couldn’t blame him.

Someone I follow on tumblr has as her first questions for anything she reads or watches or plays is does it have transgender, bisexual, or lesbian women in it. If not, she’s going to give it a pass.

Now, while the first instinct is to say it’s going to narrow what they read or watch, it’s true, but also very understandable. After all, why is it presumed that anyone who isn’t straight, white, cisgender and male going to like a story in which they do not see themselves?

Heck, why is it even asked of them to like it in the first place?

That’s not to say they won’t, but the presumption is often a derailment for people who aren’t interested in stories where they can’t see someone they can personally relate to having a grand adventure, solving a mystery case, or finding the love of their life.

One very recent and notable example of this was the horribly whitewashed dramatic retelling of the Stonewall Riots in Roland Emerich’s Stonewall. It featured a white, gay, cis male lead while relegating several people of colour to the background, even going so far as to mishmash two of them into one central, fictitious character.

Basically, it all but erased Marshal P Johnson, a black transgender radical woman, and Sylveria Rivera from the actual Stonewall riot, replacing the shotglass thrown that was heart around the world with a brick thrown by a fictional gay white guy from a midwest Farm.

People rightly called it out for its whitewashing, pointing out how most LGBTQ movements have done much to erase gay people pf colour and transgender people, but the director and actors said not to judge the film based on the trailer, and to wait until the film was seen.

Well, no one took his advice, and Roland Emerich, white, gay and cisgender himself, lost out, with Stonewall garnering barely 130K in its release.

And nor should people who are minorities, be it through the colour of their skin, gender, or sexual orientation be under any obligation to see a movie where they’re played with like a fan writing fanfiction.

Heck, one can look at the recent release of the Zoolander 2 trailer, and spot several transphobic jokes.

Trigger warnings for the garbage jokes.

It’s mainly based around Binklefink Twiddlebottom’s performance as the newest, hottest model named All in All, who refuses to give their gender, and the film’s two main leads expressing confusion and frustration and not knowing what’s in All in All’s pants.

Can you blame anyone then who is actually transgender to not see this movie? Or just anyone who doesn’t like transphobia?

It probably doesn’t help that, even though Zoolander lampoons the world of fashion, they made Beneditch Pumpernickel look like a god damned alien.

And that’s just movies. What about games? I started off in video games when it the common plot was beat the bad guy, and save the princess, as exemplified by Super Mario Brothers and Legend of Zelda. Metroid’s ending of Samus being a woman was a surprise, and not exactly quickly spread common knowledge in the days before the Internet.

So what about today? Unfortunately, it’s still a lot of the same. Even games as diverse as Bioware’s latest big hits, Mass Effect and Dragon Age, still were marketed with straight white men on the cover for most of them. We only got a female Shepard after after a rather deplorable beauty contest held on Facebook and elsewhere, and it wasn’t until the third installment that we finally got Shepard some male love interests.


And these two articles give a good overview of the Beauty Paegent Bioware held for the default female Shepard.

Why The Mass Effect 3 FemShep Vote Was The Wrong Move

Fans Picked the Blonde in a Controversial Video Game Beauty Contest, But That’s Not a Bad Thing

Then there are all the first person shooters out there marketed towards straight, white cisgender dudes.

Yeah, nice package indeed.

So is it any wonder that some people might feel that some games aren’t for them? Or that there’s nothing in said games for them to be interested in or see themselves in?

Again, it’s not to say that there aren’t a diverse group of men and women from different backgrounds who enjoy these games, but that the marketing of these games, and movies and TV shows, are still fixed up in a straight, white, cisgender able bodied package as the default setting to sell to customers.

And that not all customers fit that package.

So in case you haven’t noticed. I’m not saying anything more than what a myriad of other people have noticed and discussed before, and I haven’t even scratched the surface of superhero comics, or sci-fi and fantasy stories. But it’s something worth discussing and talking about to this day, and every day until we no longer see this kind of expectation.

And if there’s anything to take away from this video, it’s that no one is under any obligation to like a story in which they do not see themselves or aren’t represented in a positive, deep, and meaningful way.

I’m Triple J, and that’s all I’ve got left to say. Take care!

No, Stories Do NOT Exist In A Vacuum.

WARNING! Spoilers for the last episode of Life Is Strange.

OK, you may now read on…

I recently received a reply to one of my comments in the comments section of the Mary Sue, discussing the final chapter of Life Is Strange from DONTNOD Entertainment.


And it’s this kind of reply that I find incredibly draining and tiring to answer, because it’s a basic kind of question that seeks to derail the discussion at hand instead of dealing with some tropes that are rooted in homophobia.

For starters, the dead lesbian trope started wayyy back in the 1950s, wherein happiness for gay characters existed very little in fiction. While I can’t recall the name of the book that really cemented this, it centered around a woman who falls in love with another, but ends with her ‘realizing’ she’s straight and marrying a man while her lover dies a tragic death.

The other aspect of dealing with this kind of question is that it ignores the very basic reality that stories do not exist in a vacuum. Everything we read, watch, play, or create is influenced by the world we live in, for better or for worse, and that means that there is going to be homophobic, racist, and sexist elements in our stories.

To say that the ‘greater meaning’ gets ignored when we rate something on a pass/fail of tropes comes off to me as not wanting to think about how killing off someone who is a part of a marginalized group looks to people who are a part of that group, let alone the rest of us.

You don’t want to think about those issues, because then you might feel bad about liking something that’s got garbage, homophobic writing in it.

In this case, DontNod created a story in Life Is Strange that boiled down to two decisions in the end:

  1. Sacrifice your best friend, who comes out a lesbian by way of kissing the lead character, in order to save the town.
  2. Leave the town to be destroyed with your best friend, who is now just your gal pal, with no showing she’s anything but.

Those aren’t very good choices, especially considering the amount of time spent with and emotional investment made in Max and Chloe.

It also doesn’t help that in the Sacrifice Arcadia Bay ending, in a discussion held with one of the writers, the reason WHY no sign of something more than being Gal Pals was shown was anything more should be left up to the imagination, implied…


Oh, and that the budget ran out.


Source taken from this tumblr post.

Total weak sauce.

There’s another post in me about how this is total weak sauce, in making a game where nothing matters in the end in one way or another, but I want to keep it on this, to show the ignorance in saying that a story should be judged on its own merits.

Because you can’t, not when we live in the world we do. It’s why I’m critical of The Walking Dead for how often they kill off black men, or Marvel Comics for splitting up Spider-Man from MJ because him being married makes him old.

Those all reflect some ugly realities instead of challenging them, and when we’re upholding the status quo, we’re gatekeepers who think nothing’s wrong with it.